Mike's Oud Forums

Dzage Bunch

dario - 3-3-2016 at 12:11 PM

Hi all,

I was wondering if the Armenian tune Dzage Bunch/Dzaghe Poonch (Bunch of Flowers - ծաղ ե փունջ according to the google translate) has words, and if so, if anyone knows a recording with a singer? I am only aware of the instrumental versions by Berberian, Hagopian, Mgrdichian etc.

Berberian version: https://www.youtube.com/watch?v=qVcnbLIofGA

I love this 10/8 rhythm, it's taken me ages to understand but now I can't stop humming it! I've also written out the melody if anyone's interested.

Attachment: Dzage_Bunch.pdf (127kB)
This file has been downloaded 272 times

hartun - 3-8-2016 at 10:17 AM

Dario, I am 95% sure there are no lyrics to Dzaghge Pounch. Btw the correct spelling is ծաղկեփունջ. They write Dzaghe Pounch instead of Dzagh-ge Pounch because it's easier to write and say.

Dzaghge Pounch is an instrumental piece written by Soviet-Armenian kanunist Khachatur Avetisyan. The original was in 6/8.

https://www.youtube.com/watch?v=zUMmrHWGqpI

https://www.youtube.com/watch?v=3B53HOfJ_-k



Armenian-American musicians of Anatolian descent typically take slow 6/8 pieces from Russian Armenia and play them in 10/8. You might ask why they would take an easier rhythm and make it harder. The answer is that the typical folk dances from the regions of Kharpert (Harput-Elazig), Malatya, Diyarbakir and Erzurum where many Armenian-Americans descend from, are usually in the 10/8 rhythm. In the mind of the Armenian immigrants from Turkey and their children, it sounded more natural for a slow or medium slow Armenian song in 6/8, to be in 10/8. The two rhythms have a similar feel actually as you can hear in the above videos. Unless the song is a 9/8 tamzara, a 7/8 laz bar, or a 5/8 daldala, the majority of dance songs from that area are in 4/4, 2/4, or 10/8. I believe its the same not just in the Armenian community but the Turkish community in that region as well (as one would expect). The Assyrians who live in the region of Harput and Diyarbakir and points south also use the 10/8 rhythm. Not sure about the Kurds.

dario - 3-8-2016 at 02:17 PM

Wow, thanks for an extremely interesting and thorough reply. I have recently been wondering how this music changed as it crossed the Atlantic since I only know it from the American kef guys.

dario - 3-8-2016 at 02:24 PM

So are the 6/8 and 10/8 versions danced the same despite being from different places? Because as you say, the feel of both is very similar, and they're both slow step - fast step - fast step - slow step; maybe this is a better way to think of than strict time signatures. That's definitely the case in Greek music, because if you play a 9/8 karsilama to a metronome it sounds rushed, the slow step is I guess slightly longer than 1.5 times the fast step...

maran - 3-10-2016 at 10:03 AM

there is so much music in this time signature. here's some more:


https://youtu.be/lhNCR3aYSEk
https://youtu.be/wsJeiKa6Kr8

https://youtu.be/sQFmk_SoKek
https://youtu.be/zFSNNpnktBQ

https://youtu.be/UB8yQp5R4MY
https://youtu.be/_8oNeRbGR4I

and i have been told this is an iraqi song
https://youtu.be/3ZN2AGl9juw


hartun - 3-11-2016 at 01:00 PM

Dario there are many different dances that are used with these two time signatures. It's one of the most common in Armenian music. The dancing shown in the video I posted is not regular Armenian social folk dancing however. It is stage choreographed "folk" dance. The Armenian dance troupes very rarely use the music American Armenians play. They use Soviet era music mainly. The "American kef" dzaghge pounce in 10/8 might be danced with either a plain "bar" which is the pan-Armenian dance step, or the "Armenian Shuffle" which is an Armenian American creation of social folk dance that developed in the states, neither of those are pictured in the video. In the states generally you would not have the slow 6/8 played for social dancing, neither would you in Armenia most likely. It inhabits two different worlds and they just took a melody they liked and adapted it into an entirely different genre within Armenian music. I will say that I know in some places slow 6/8 used to be played for a social dance, I imagine they could use the same steps. I am not entirely familiar with dance culture in modern Armenia as it's very different and is actually practiced somewhat less due to modernization as the Armenian American community remained "frozen in time" after 1915. Also I should say both time signatures are used by some people for solo dancing. This isn't the case in Detroit but I understand in many parts of the old country and modern Armenian this is so. An example is the famous Naz Bar in 10/8 also played in 6/8 which is an example of Armenian women's solo dance.

Mehran - 3-13-2016 at 08:58 AM

Quote: Originally posted by maran  

and i have been told this is an iraqi song
https://youtu.be/3ZN2AGl9juw



It could be this one.
Salima Pasha Murad
https://soundcloud.com/qatar-digital-library/025a-9cs0025050xx-0002a...

This rhythm is very popular in Iraqi/Baghdadi songs

sylvainbd - 3-13-2016 at 02:18 PM

Quote: Originally posted by dario  
Hi all,

Berberian version: https://www.youtube.com/watch?v=qVcnbLIofGA

I love this 10/8 rhythm, it's taken me ages to understand but now I can't stop humming it! I've also written out the melody if anyone's interested.



For me, this 10/8 is a curcuna 3+2+2+3 ... may be i am wrong !
http://www.maqamworld.com/rhythms/muwashahat3.html#jurjina
And
http://www.tousauxbalkans.net/Catégorie:10/8_(3-2-2-3)

Mehran - 3-13-2016 at 03:13 PM

Yes its jurjina rhythm