majnuunNavid - 6-14-2020 at 07:09 PM
I wrote this Sama'i Nahawand. I'm very happy with it, but the way I arranged it makes the repeats are complicated in that the end of the taslim has a
different pickup for each khana.
I think the best option is to write the taslim as a separate section and have some symbols to indicate which ending to use. But I'm not really sure
what makes the most sense and is the most efficient use of space.
I ended up writing the last taslim ending out at the end just to make things easier.
Attachment: Sama'i_Nahawand_Goldrick.pdf (70kB)
This file has been downloaded 178 times
Brian Prunka - 6-15-2020 at 06:04 AM
Hey Navid! I've had this come up before, and there are a few ways to do it that I think are effective and clear.
Since the only thing different is the note before the next khana, you can just write out the last 3 beats. Here's an example:
adamgood - 6-15-2020 at 10:49 AM
Brian's suggestion is great and here's another technique that I use all the time for pesrevs:
https://www.neyzen.com/nota_arsivi/02_klasik_eserler/011_bestenigar/...
I've never used this for Semai only because there's been no need. The closest thing would be Refik Fersan's Nikriz Saz Semaisi...before going to the
4th hane (which uses an awesome and unique use of Zeybek rhythm) it likes to have an ending of the teslim that points to the new usul:
https://www.neyzen.com/nota_arsivi/02_klasik_eserler/068_nikriz/nikr...
Adam
majnuunNavid - 6-15-2020 at 06:58 PM
Very cool guys thanks. I will use these suggestions.
majnuunNavid - 6-30-2020 at 02:30 AM
I recorded a rough recording of this piece so you can hear the ornaments and additions. Any comments and feedback would be welcome.
https://soundcloud.com/navid-goldrick-838824023/samai-nahawand
Jason - 6-30-2020 at 06:17 AM
Sounds great Navid, your tremolo is awesome