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Author: Subject: Targan´s Ferahfeza Saz Semaisi arabic nota?
oudsharqi
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[*] posted on 12-23-2016 at 10:22 AM
Targan´s Ferahfeza Saz Semaisi arabic nota?


Hi all,
does any one know where to find Ferahfeza Saz Semaisi by Targan in arabic notation?
Thanks!
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suz_i_dil
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[*] posted on 12-24-2016 at 02:35 AM


You will find a score of this great piece in Jamil Bashir oud method book.
search the forum, it is available online for download
regards !




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John Erlich
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[*] posted on 12-26-2016 at 09:52 PM


Is Jamil Bashir's really the only Arabic score of this piece generally available? It's pretty hard to read, and actually goes higher above the staff than some available Turkish scores of the piece. I have attached both the Bashir score and will attempt to post a Turkish score separately. What gives?


Samai Farahfaza Haidar Arabic Score by Jamil Bashir.gif - 29kB
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John Erlich
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[*] posted on 12-26-2016 at 09:55 PM


A Turkish score, which actually goes less above the staff: http://3.bp.blogspot.com/_lEAPQOdGzgM/TSXaZ5XBPsI/AAAAAAAAAD8/tb61j... (Posting a link rather than the file, because of image size limitations.)
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Microber
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[*] posted on 12-27-2016 at 03:35 PM


Here it is.


Attachment: Farahfaza Samai - Serif Muhittin Targan.pdf (441kB)
This file has been downloaded 306 times
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suz_i_dil
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[*] posted on 12-28-2016 at 12:35 AM


Seems there is a number of version for Jamil Bashir score.
the one I have begin in Bb which is the correct one if you want to play farahfeza in G.. it came also from an edition of Jamil Bashir method book.

beginning in F is high. Maybe this version because of the usual tuning of Jamil Bashir which was F tuned + 1 tone higher. In this case beginning the samay in F(like on the score John Erlich shared) would be the same fingering than on a oud tuned in C with the samay beginning from Bb

With the same logic the one beginning in E shared by microber would fit the same fingering on a oud tune in F.

So, this long writing for a simple message: all are the same. The one to use would just depend if you want to follow your tuning or transpose directly while reading. Not a big deal actualy, you can use the score of Microber on a oud tune in F. Or if you want to get the most usual tonality of G for farahfeza, on a oud tune in C but play/read as if your oud was tune in f: this way you get the usual tonality of G. Just an advice but anyway practically you will agree using the score of Microber and begin the samay in E on a oud tune in C would not be playable at all.

I have the pdf beginning in Bb if you don't want to transpose but cannot upload,the file is too big




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Microber
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[*] posted on 12-28-2016 at 01:45 PM


Hey suz_i_dil,
The score i send is perfectly playable on an oud tuned in C.
The highest note is G on the neck-body junction on the C string.
So not a big deal.
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suz_i_dil
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[*] posted on 12-28-2016 at 02:10 PM


Hello Microber

Thanks for the feedback. Indeed you are correct.
but i'm not sure the 4th khane is correct, I oftenly heard it (and learned it actually) beginning one octave higher. And in this case that would be perfectly unplayable in this tonality. I don't know if it is a matter of style or if the original score is like this. I have Serif Targan method,I will check the original score and let you know.





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suz_i_dil
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[*] posted on 12-28-2016 at 02:13 PM


Like in this wonderful version for Ahmad Al Khatib for example

https://youtu.be/OrIccCXMLhw




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suz_i_dil
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[*] posted on 12-28-2016 at 02:28 PM


At least find a way to send a reduced sized of the score. That will be clearer than words

Seems the issue is mostly in the first sentence of the 4th khane. On my score from Jamil Bashir it is a Kurd ascending sentence which go from D to D but on the very high octave, 2 octaves up.

Still have to be compared with the original score as proposed in Serif Targan method book

Regards

Screenshot_2016-12-28-23-24-28.png - 486kB




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suz_i_dil
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[*] posted on 1-1-2017 at 10:59 AM


Hello

so here is pictures for the original score proposed by Serif Targan.
there is indeed those high register sentences in the 3rd and 4th khane.not surprise the score of Jamil Bashir is correct toward the original..he was student with Serif Muhieddeen Targan.

Note the sentence proposed by Jamil Bashir to open the 4th khane appears written at the end of the original score as " diger ". I don't speak a word of Turkish but I bet the note at the end of the page,and the " D..... " refers to this sentence as a variation for the 4th khane

So one have better to begin in Bb if he wants to play it as it was composed if his oud is tuned in C

And all those also intersting to remember us to refer as much to the origin source to learn a new piece or to its original culture to study a new maqam

Best regards to all




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suz_i_dil
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[*] posted on 1-1-2017 at 11:01 AM




Screenshot_2017-01-01-19-54-03.png - 211kB Screenshot_2017-01-01-19-54-14.png - 261kB




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