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samir
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[*] posted on 9-23-2004 at 01:12 PM
movable bridge


hi
i am new here
i am an oud maker and player
i like to read your opinions about the oud with movable bridge,i prefer it for many reasons..
regards
samir




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oudplayer
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[*] posted on 9-23-2004 at 01:36 PM


hi samir tehy are really lovly ouds are they for sale?
thx sammy
and sound files
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david
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[*] posted on 9-23-2004 at 02:55 PM


:wavey:Hey Samir, those ouds look great! Tell these guys more about your ouds.
If you guys want to see one of Samirs older ouds(1996) take a look at the file sharing page. You'll see his signature pickgaurd.
I love that oud Samir it sounds incredible! Take care and keep up the good work.:xtreme:
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[*] posted on 9-23-2004 at 08:05 PM
Floating Bridge Sound


I am no expert but one thing i've noticed from playing my Yaroub Bashir is that it seems to respond a little better to dynamics. I think this may be one of the benefits – strike it harder and it gets louder, strike really hard and it gets louder still. My other ouds have warmer somewhat rounder tones but nothing compares to the way the Bashir just rings out when you play hard. Tell us more about your ouds Samir



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[*] posted on 9-24-2004 at 04:39 AM


Ahlan wa Sahlan, Samir.

It's about time! :applause:




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[*] posted on 9-24-2004 at 10:50 AM


Hi Samir :
Nice Ouds ¿Can you post sound??:)




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samir
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[*] posted on 9-25-2004 at 12:48 PM
modern oud


hi
thanx for replys
the movable bridge increse durability and gives the same sound quality for basic and high tones with greater power.and helps for stable tuning i think.it reduces the deformations of the sound board.
thanx
here you can find more:
http://launch.groups.yahoo.com/group/oud-samir/files/




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[*] posted on 9-25-2004 at 10:36 PM
Your Ouds


I couldn't access your "files" because I'm not a member of your Yahoo group. Could you tell us a little more about "deformations of the sound board". The sound file you posted was a little distorted ( very loud - high level) - I am developing a great appreciation for the floating bridge design and I'm interested in your approach. Your designs are quite attractive! I'm interested in 7-course ouds with shorter scale lengths.



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Lee Varis
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samir
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[*] posted on 9-26-2004 at 12:00 PM
deformations


the traditional stile of oud may allow some deformations in the soundboard cause the tension is concentrated sharply near the sticked bridge(torsion load)
this may shorten the length of the sound board and stretch the width(with some cracks sometimes)
while in the modern one its effect is just little pressure localy..




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[*] posted on 9-26-2004 at 12:16 PM
Gaps in the bridge


I notice that your bridge has gaps at the base where it meets the soundboard. I've noticed similar features on guitar and bouzouki bridges. What effect does this have on the transfer of the string vibrations to the sounboard?



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Lee Varis
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samir
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[*] posted on 9-26-2004 at 09:45 PM
gaps


the dimentions and thickness of the bridge must be made carefuly ..the gaps help to remove the metalic nature of the sound and make it more clear ..the three feet doublicate the effect ..i tried alot of solutions to reach this design..



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[*] posted on 9-27-2004 at 08:50 AM


Hi Samir:
¿ do you receive my E-Mail




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[*] posted on 9-27-2004 at 01:35 PM
Hello Eng. Samir


:wavey:

Your ouds look nice and sound great too.
Please give us some prices and more details.

Also a question for you ..

Can any oud be converted to movable bridge oud?


Regards,

Emad from sydney
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samir
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[*] posted on 9-27-2004 at 02:26 PM


any oud can be converted to movable bridge , but the results may not be as we expect . that is because the design begins frome the first step on building oud..
the prices are between 300 and 500 USD
the shipping cost must be added if any..
thanx
samir




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[*] posted on 9-27-2004 at 05:03 PM
Hello again


Eng. Samir

Thank you for your fast reply,

In case of converting a normal oud to movable bridge, is there a location to place the bridge on to start with? or is it just a trial and error thing?

about your ouds, Is there a gallery to select from? Please tell us more in regards to ordering oud from you.

Thank

Emad
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Elie Riachi
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[*] posted on 9-27-2004 at 08:39 PM


Hello Samir,

What type of bracing pattern or patterns do you use in the ouds you build, if you do not mind telling?

Also, I have a hypothis: the cut away arches make the bridge lighter and hence there would be less resistance to vibrate which would promote sound that is richer in the harmonics generated by the wood of the oud rather than being more from just the string vibrating. The more the string dominates, the more metallic the sound gets (I think!). Anyway, this would be in agreement with your experience regarding the cautaway arches in the bridge producing a less metallic sound.

Is the floating bridge glued to the soundboard or is it truely a floating bridge (does come off when changing strings)?

Regards,
Elie
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[*] posted on 9-27-2004 at 08:45 PM
Elie


how are you man?

It is interesting topic isn't it?

I like the idea of converting one of my ouds to movable bridge style.

I thought it's called movable which means it not fixed to the sound board. What do you think? should it be fixed ?

Regards,

Emad
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[*] posted on 9-27-2004 at 10:17 PM
sure


hi friends
if you changed the bridge to floating one you would not lose anything from the sound and may be be you will get additional benifits .so, go ahead..
the bridge must NOT be glued..
Elie: i agree with you..
all: no stores sell my ouds..i have no contact with any of them till now..i send them usualy by DHL.(high cost shipping!!!!)..
love to all




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[*] posted on 9-28-2004 at 01:40 PM
Location


Hello Eng. Samir

We thank you for your information.

I actually wanted to know since the bridge must not be glued, then where should it be placed? Is there a distance to measure from the nut down for example?

Thanks

Emad
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[*] posted on 9-28-2004 at 03:06 PM


Quote:
Originally posted by sydney
I thought it's called movable which means it not fixed to the sound board. What do you think? should it be fixed ?

Emad


Hello Emad,

I am well thank you.

As you know I am not an authority on oud building (Samir may want to add more), but here are my thoughts: As far as floating bridges go, I guess they are not glued just like the violins.

An advantage to not being glued would be not having the layer of glue between the bridge and soundboard, so more of the viration energy is transfered to the soundboard.

I am almost certain that there is a "sweet" spot that the floating bridge must be placed over just like the fixed bridge, and that probably depends on the length of the soundboard.

As for converting a fixed to floating: the fixed pulls up while the floating pushes down on the soundboard, so I would think different bracing systems work best for each. The floating bridge, depending on its location might have to be slightly taller to compensate for the pushing down on the soundbaord and possibly making the action too low.

A floating bridge may require higher tension string setting to obtain same loudness???

On the other hand, a floating bridge, make a nice clean scale length.

If I could have two, I would get one of each. But not having tried the floating and based on my reasoning, I think I would stay with the fixed bridge for just one oud.

Regards,
Elie
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[*] posted on 9-28-2004 at 04:41 PM


Samir aziz,
The oud in your last picture appears to have a bent face, but the others are not so obvious. Do you angle the face gradually like the modern Fadels or bend the face below the bridge to get the string angle on the bridge? Thanks for sharing your knowledge with us.




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[*] posted on 9-28-2004 at 05:12 PM
Hello Elie


It's good to hear from you mate,

I thank you for your good opinion. I am thinking the same too.

Going by your opinion and also the advice from my friend Greg Marsh - I guess it's not a safe idea to convert normal oud to floating bridge style.

Be well Elie


regards,

Emad
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[*] posted on 9-28-2004 at 10:24 PM
my advice


hi
i changed alot of ordinary bridges to floating ones and got good results.(just tell me who made your oud , i may give an advice ..) ..
the distance is 2 times the neck length measured from its end and going down..as in the attached pic..( L = 2 times the neck..)
elie : good ideas ..it is not essential to make it very high..
it is recommended to make special arrangment for the braces when the oud is being build..
in fact i developed a special way for preparing and fixing the soundboard to the body..since 4 years..
richard:i made the bent soundboard according to the requirments of his owner,but i dont like to apply this way on ouds..i tried it several times before that..
i bent it before fixing ( not gradually..the owner wanted that way??!!), with some pressure and heat ,not below the bridge , but between it and the down edge of the soundboard( although i dont agree!!!!) the flat surface is better..
regards
samir




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[*] posted on 9-29-2004 at 02:51 PM
Samir, can you tell the bracing secrets


Hi Samir,

Can you tell the secrets of how you determine the size, pattern and position of the bracing for people interested in building their own oud? Or will the oud makers send a flying monkey to kill you? Or will you have to kill us if you tell us? :D :D :D :D

Thanks,
Elie
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[*] posted on 9-29-2004 at 10:23 PM
Scale length


It seems like the oud in your last recording is tuned CFAdgc - what scale length do you use for your ouds - 61cm?



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Lee Varis
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