NY Oud
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Pro Oud Wanted
Hey all. My friend is interested in buying a new oud. He has about 1000US to spend and wants something of pro quality. Preferably in the US but if
abroad, that's fine too. Thanks guys.
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Brian Prunka
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I've heard good things about Michael Moussa:
http://www.magicstrings.co.uk/prices.htm
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MatthewW
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try Jameel in USA ,he has nice ouds from time to time:
http://www.khalafoud.com/accessories.htm
If you want to look further afield than USA-
Michael Moussa makes fine ouds.
Usta Faruk:
http://www.mikeouds.com/messageboard/viewthread.php?tid=12318
also Maurice Shehata in Cairo...
VeyselMusiK in Turkey
http://www.veyselmuzik.com/tr/index.php
Dimitiris in Athens:
http://www.dimitrisouds.com/
and so on-
your friend may need extra cash if he buys outside USA for shipping charges and so on.
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NY Oud
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USED
Does nobody on this forum have any ouds in that price point from a reputable luthier they are looking to part with? Used ouds are definitely
acceptable by my friend. I have been going over all the other makers that you have suggested with him.
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azzizza
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used oud
Hello,
I have a Temel Sehit oud in that pricepoint that would be a fine oud. It has a cedar face which gives it a nice deep sound and is about 15-20 years
old. Please email if interested
Armen
armensevag@hotmail.com
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NY Oud
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Thank you for all the suggestions gentlemen. I know this is a stretch, but my friend wants to know if a Ghadban, Matta or oud of that quality can be
purchased used for what he has. Or maybe a touch more.....
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fernandraynaud
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Why not simply get a Faruk Turunz reduced price point oud, 1000 dollars, Arabic or Turkish bracing, brand new. Top quality.
Plus shipping.
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ameer
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The Mattas and Ghadbans I've seen typically go for around $1500.
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bibo10
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Check your U2U
+++++++++++
Michael-GOD BLESS EGYPT
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mavrothis
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Hi,
I have two very nice ouds available for sale for less than $1000, including gig bag and extra set of strings. I also have another oud on the way that
will most likely be $1000 including a hard case.
Contact me to schedule a time to see them and play them yourself.
Thanks,
Mavrothi
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Brian Prunka
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Matta ouds have a rather specific sound; it has to be what you are looking for.
Ghadban ouds always look nice, but the sound varies a lot in my experience. I wouldn't recommend paying that kind of money unless you have a chance
to play it first.
Shehata is very consistent, as are Sukar ouds.
"Pro quality" is a strange term to use. Generally, the instruments being used by professionals are valued higher than $1000.
While you can get a good oud at that price, and certainly one that is fine for performing with, a "professional" oud in my experience starts around
$1500 and goes up as high as you care to imagine.
You can generally find better Turkish instruments than Arabic in a given price range.
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fernandraynaud
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The way the original question was phrased causes some problems. Nobody wants to mess with PROFESSIONAL. Ouds are very hand-made, it's not like buying
a Steinway.
Having played a few Shehatas, and being the proud owner of one, as well as a couple of Sukars, I'll jump in and hazard the view that although Shehatas
have a prettier finish, Sukars are more consistent in sound, and more uniform in construction. And more affordable. They also offer the rare ability
to optimize the action because the neck is adjustable, a rare feature which only the Mattas also offer.
As to what is "professional", there are different opinions and approaches. Luttgutt, for instance, professionally plays only Sukars, while others
consider them too utilitarian, without necessarily having played one. We are sensitive to the term as it is, e.g., widely abused by vendors who label
all their cheese-box ouds as "professional." To fit under the $1000 budget, and sometimes considerably under, a Sukar is a very safe choice because
they are so consistent. There ARE different Sukar models, and vendors, some better than others. The ones with ebony fingerboards and pegs are
generally preferable. Coming from Syria, they are becoming harder to find. It's always wisest to only buy ones that are already for sure physically in
the US.
Brian is right in saying that Turkish instruments are generally "better" for the money, but I'd qualify that as "better finished", as it costs more
for a boutique Arabic oud than a Turkish utility oud of similar detailing and finish. I suggested the Faruk Turunz "reduced price" model, Turkish, as
a very safe bet and well-finished. If you want Arabic and very fancy, the $1000 budget ain't gonna likely cut it. But below that price point, I'd say
just get a Sukar and you'll have a good oud at low risk.
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Brian Prunka
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Fernand makes a more detailed point than I wanted to get into.
As far as Sukar vs. Shehata, I will suggest that perhaps it is somewhat a matter of taste, though like Fernand, my tastes also tend to prefer the
Sukar sound. I consider some of the better Sukar ouds to be "professional" instruments, but many would not. It depends on what your choices are, and
what kind of budget you have.
I am cautious regarding Turunz's "reduced price" ouds. I do not wish to insult master Faruk, a luthier for whom I have the utmost respect. His
regular models that I have played have been superb and unique instruments, exceptional in every way. But based on the sound files he has posted and
conversation with those who have played them, the newer "reduced price" ouds are not comparable. I'm not saying that they aren't good
instruments--I'm sure they are fine instruments and comparable to other ouds in that price range. But his usual instruments are so exceptional that
people might have too-high expectations from his reduced-price instruments.
I don't hold this against him; there is a reason why these ouds are less and his usual models are more, and I applaud him for his effort to make
affordable instruments.
I personally don't think the "adjustable action" feature is worth bothering about. Most older Sukars I've seen eventually need the apparatus removed
and the neck reset anyway.
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fernandraynaud
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Interesting. I had perhaps incorrectly assumed, there goes that drat word, that his reduced priced ouds are comparable. Seeing what other luthiers
manage to do at lower cost, I'm indeed surprised. What could the reason be? Sukar seems to have the whole bracing business down, why wouldn't Turunz?
Is it because it's trying to allow for both Arabic and Turkish tuning bracings?
On Sukars, what I've seen happen is that the adjustment, which isn't really a whole lot, may drift out of the range a specific player or oud would
prefer, could be too high, could be too low. But isn't compensating by pulling the neck off and shaving the mating surfaces a relatively simple task
compared to sawing off a neck and "starting over", as is traditionally done? My bigger gripe has to do with the "depth" of the Sukar neck. My Shehata
has a nice and shallow neck, but then again it's quite narrow, and getting the nut just right to squeeze 11 strings into that width is a chore. Going
back to the Sukar neck that's ample in width, but a bit fat, is a change. Can't win ...
Still, for the original request, within $1000, we can probably agree that a Sukar is THE safest bet.
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NY Oud
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Oddly enough, I am now selling my Sukar Model 8 and my friend doesn't want that one. He wants something more ornate and showy. I don't know why. The
sound of the Sukar is beautiful. I was also coming in below what he is looking to spend. Oh well, to each their own.
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