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Jody Stecher
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Thanks for calling attention to this, Nate. What a treasure trove. In the program about Samā‘ī I had trouble understanding what is meant
by lāzima and how it differs from teslim. Perhaps something was lost in translation. Can anyone help? I've seen in some (older?) Ottoman Saz
Semaisi transcriptions that the repeated theme is called Mulazime but when I listen to these pieces being played I don't hear exactly in what way it
is different from Teslim.
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Rambaldi47
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Jody, I also couldn't understand the difference between a teslim and lazima here.
If we take for example Ibrahim al-Aryan's sama'i bayati, where does the teslim ends
and the lazima begins?
Here's their relevant quote if someone would care to explain.
| Quote: | The samā‘ī form as it entered Arabic musical tradition is as follows:
Four khānāt to the 10-pulse samā‘ī thaqīl rhythmic cycle. Each khāna ends with a taslīm (a fixed melody in all of
the khānāt, linked to each one of them to a certain limit depending on the maqām). The taslīm relays to the lāzima (a melody
defining the samā‘ī maqām, that is repeated after each khāna, but is separated from it). The lāzima ends with the last part
of the above-explained taslīm. |
Nate.
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Rambaldi47
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031 – The taḥmīla
http://www.amar-foundation.org/031-the-tahmila/
032 – Dawr El-bulbul gānī
http://www.amar-foundation.org/032-dawr-el-bulbul-gani/
033 – The jahārkāh maqām, Nedhamuna
http://www.amar-foundation.org/033-the-jaharkah-maqam/
034 – Yamanta Waheshni, I, Samaa
http://www.amar-foundation.org/034-yamanta-waheshni-1/
All Episodes (weekly updated)
http://www.amar-foundation.org/podcasting/all-episodes/
Nate.
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Rambaldi47
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035 – Yamanta Waheshni, II, Samaa
http://www.amar-foundation.org/035-yamanta-waheshni-2/
This rendition by Sabah Fakhri and his bitana is also a marvelous performance
of this hijazkar dawr:
http://www.youtube.com/watch?v=FfuyLBPyNto
And here's Marie Jubran's rendition:
pt.1 - http://www.youtube.com/watch?v=IZdpTqMlw7g
pt.2 - http://www.youtube.com/watch?v=2OwRRD-YlLg
Finally, this is the first part of the hijazkar wasla by Saleh Abdel
Hay and his bitana, which was not included in the podcast.
It features a sama'i shatt ‘arbān and taqsim layali:
http://www.youtube.com/watch?v=9O1EPDcBN4c
Nate.
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