PaulS
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Ibrahim Alaryan
Does anyone have any info on this Egyptian composer/player of the last generation, I think? We are just learning his Samai Bayati which is, according
to my teacher, a very important 'classical' piece...
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Jody Stecher
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He was a qanun player. You can hear him play his famous samai here
http://www.amar-foundation.org/030-samai/
it starts at about 15 minutes and 50 seconds
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PaulS
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Thanks Jody!
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Alfaraby
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Ibrahim Al A'rian
Ibrahim Al A'rian (1892-1953)
Ibrahim Ahmed Yousef Abdallah Al A'rian was born in Cairo in 1892. His father and his grandfather were accomplished musicians and Qanoun players. He
followed his ancestor's steps in the traditional school, just like the other musical families, like Al A'qqad, Hafnawy, Shararah and Abdu Saleh, among
others, who inherited the art of playing from their ancestors.
It was just expected that when he became a proficient musician, he'd join the Takht (ensemble) of senior singers of that era, such as Muhammad Salem
Al Agouz , Mohammad Al Sab'e and Sayyed Darweesh.
In 1929 he joined Umm Kulthum's band playing qanoun and took part in her first 8 years recordings (1929-1936).
Afterwards, Al A'ryan recorded the most famous and well known Sama'i Bayati. It was followed by Sama'e Nahawand and Sama'e Sikah. Sama'e Bayati is
deemed to be the most famous Sama'e in the history of Arabian music.
Along with his son, Ahmed Al A'ryan, who himself became a violinist in Umm Kulthum's band; they were a duet and recorded many musical pieces for the
Official Egyptian radio that was released to air in May 1934.
Among Al A'rian's students we may find the name of Mohammed Abdo Saleh, the famous qanoun player of Umm Kulthum's band for years to come and the
musical director of her band, after Muhammad Al Qasabjy was relegated.
There's nothing much in the written Arabic library on the biography of Ibrahim Al Arian. I could barely find his name in my relatively big written
library. It might be due to the fact that biographies of musicians were not a matter of interest at that time, or due to the fact that there was
nothing much to write about their CV, except they were born, composed and played music. It might also be due to the fact that musicians of that era
were mostly illiterate and were unable to put down their memoirs for themselves, where, how, when and with whom they had worked with. Notwithstanding,
the greatest musical effect of a composer is his musical heritage, rather than his resume. Ibrahim Al A'rian has left us a repertoire which kept him
alive in the mass memory of the Arab world, even if he's not that well known. You will not find a musician in the Arab world who has not been
introduced to the name of Ibrahim Al A'rian, even if he did not actually studied or even played his music.
Ibrahim Al A'rian died in Cairo in 1953.
I hope this would be of some help to get to know the artist.
Yours indeed
Alfaraby
_______________
References المصادر:
خشبة ، د. غطاس عبد الملك ،
المعجم الموسيقي الكبير ج
1 ، المجلس الأعلى للثقافة
، القاهرة 2003
نصار ، د زين ، موسوعة
الموسيقى والغناء في مصر
، ج 3 ، دار غريب ، القاهرة 2003
فياض ، د. ليلى لميحة ،
موسوعة أعلام الموسيقى ،
دار الكتب العالمية ،
بيروت 1992
زكي ، عبد الحميد توفيق ،
المعاصرون من روّاد
الموسيقى العربية ،
الهيئة المصرية العامة
للكتاب ، القاهرة 1993
alfarabymusic@gmail.com
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PaulS
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Thanks so much! What great info! I really appreciate it Alfaraby
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