fameeyyoud
Oud Lover
Posts: 16
Registered: 2-11-2020
Member Is Offline
|
|
What strings did they use in the era of Farid al Atrash, Riad al-Sunbati etc.?
Hey guys!
Im sorry for having asked this question, or at least a similar one, a couple of times before but i just cant stop thinking about it haha!
Basically im trying to achieve as close to Farid al Atrashs sound as i can. Now that i think i got the tuning right i was wondering what strings they
used at that era so Farid got this „metallic“ dull low sustain „dry“ kind of sound they used to have in the 50s. Somebody here told me it was gut, but
after checking some pictures it looks like all 6 courses looked the same
and also when i called Aquila and asked they said that in the 1938~ they majority switched to nylon strings, so that woule mean Farid used nylon too
in the 50s? I doubt that...
What do you guys think? What strings were used at that time?
Thanks a lot in advance!
|
|
|
Brian Prunka
Oud Junkie
Posts: 2658
Registered: 1-30-2004
Location: Brooklyn, NY
Member Is Offline
Mood: Stringish
|
|
Nylon was invented in 1935, and as far as I can determine, only became available for instrument strings in mass production in 1947 in New York City.
Dupont had the patent for a long time so no one else could produce it.
The middle east would have had much less access to it than the US or even Europe, so it seems extremely unlikely that Farid would have had nylon
strings. Though if anyone could get them, it would be a superstar like him. He also traveled to NYC on more than one occasions so he could have
gotten some then. If he did, they probably would have just been guitar gauges.
Still, I'd expect that he'd have stuck with gut for most of his classic recordings. You wouldn't be able to tell from a video whether he was using
gut or not, I'm not sure what you expected to look different. To the best of my knowledge, oud players through the 50s were still using gut for the
most part.
|
|
|
ameer
Oud Junkie
Posts: 450
Registered: 9-14-2009
Member Is Offline
Mood: No Mood
|
|
Farid's sound changed quite a bit over the years. Many of his sounds could broadly be classified as gut or gut-like. He was recorded using nylon
strings a few times in the late '50s, in interview/ demo recordings and in at least one public concert. In concerts in the '60s he used something
different that sounded gut-like but was brighter. Whether that was because of the strings or the recording equipment I don't know. By 1972 he was
using nylon in public concerts. Even among his gut-like sounds there is enough variation that I wouldn't be surprised to hear he was using different
brands. For Sunbati I have no idea. He doesn't have what I would call the typical gut sound in his early recordings, but I don't know what other
options he would have had. Maybe gut strings respond more to the nature of the instrument than nylon strings?
|
|
|
Brian Prunka
Oud Junkie
Posts: 2658
Registered: 1-30-2004
Location: Brooklyn, NY
Member Is Offline
Mood: Stringish
|
|
That's very interesting, Ameer!
Germans were also producing Perlon, which is a plastic similar to DuPont nylon (it's classified as a type of nylon). It's possible that this was
being used for oud strings. It was (and is) used as a core for violin strings instead of gut. It has slightly different properties than DuPont
nylon.
|
|
|
ameer
Oud Junkie
Posts: 450
Registered: 9-14-2009
Member Is Offline
Mood: No Mood
|
|
Are you aware of it being available for oud or the like? I'm curious if it has any effect.
|
|
|
Brian Prunka
Oud Junkie
Posts: 2658
Registered: 1-30-2004
Location: Brooklyn, NY
Member Is Offline
Mood: Stringish
|
|
I'm not sure, and even if it is it might not specifically be labeled as such.
You could try to just buy it from a plastics company, see what filament sizes are available. Generically nowadays it is labeled as nylon 6 (as
opposed to standard DuPont Nylon which is nylon 6/6) since it's no longer under patent (Perlon is a trade name).
I used to see it sometimes listed as fret material for lutes etc. that had tied-on frets. Here is a material comparison for the variation in
specs:
https://www.essentracomponents.com/en-gb/news/guides/the-differences...
Biggest differences: less dense, less durable, lower tensile strength, higher moisture absorption. These are all reasons why it is generally less
desirable for something like a fishing line, but maybe it has a positive impact on the sound that would be a worthwhile tradeoff.
It looks like it is produced, but finding a consumer-level purchase option may be a challenge. Here is a company that makes it in .025in, .030in and
.040 in diameters, which should be good for c' g and d.
http://www.engmono.com/nylon-6-66-data-table/
|
|
|
SamirCanada
Moderator
Posts: 3393
Registered: 6-4-2004
Member Is Offline
|
|
Probably was gut strings. But the oud itself has to do with the sound. Listen to old ouds from the masters even with standard wound nylon strings they
don't sound as metallic. Strings are a factor so is the oud and the hand /risha
https://youtu.be/-uswCsB7QDc
https://youtu.be/XzD6kEUVlGk
There is a new brand available called hannabach see more info here :
https://www.instagram.com/p/CKS9n2ynj8p/?igshid=mhsj7mmdp6v5
https://www.instagram.com/p/CJYGrLDH_Sk/?igshid=ehrov07lxz79
@samiroud Instagram
samiroudmaker@gmail.com
|
|
|
Brian Prunka
Oud Junkie
Posts: 2658
Registered: 1-30-2004
Location: Brooklyn, NY
Member Is Offline
Mood: Stringish
|
|
https://schneidermusik.de/shop1/product_info.php/products_id/124384/...
131,89 €
https://www.amazon.com/Hannabach-2500-Oud-11-string-Scale/dp/B013PSC...
$186.44
These have been around a long time, they make them for Rabih Abou-Khalil. I asked Hannabach about them years ago for OudStrings.com but figured that
no one was going to pay over $150 per set for strings.
|
|
|
ameer
Oud Junkie
Posts: 450
Registered: 9-14-2009
Member Is Offline
Mood: No Mood
|
|
Here is Farid using what sound very much like nylon strings, apparently in 1958. https://youtu.be/_CUQIVk1uxY
|
|
|
SamirCanada
Moderator
Posts: 3393
Registered: 6-4-2004
Member Is Offline
|
|
Yeah Brian.
I have a hard time buying pyramid lutes although they are phenomenal. I also find I end up keeping the same strings on for way to long when they are
so expensive to replace.
@samiroud Instagram
samiroudmaker@gmail.com
|
|
|
saad
Oud Lover
Posts: 10
Registered: 6-3-2015
Member Is Offline
Mood: outoftune
|
|
Hi,
Prices aside, how are these Hannabach strings expected to perform on 58.5 and 60 cm scales, especially if tuned 1/2 step or one step lower? They are
claimed to be for 63.5 cm scale with medium tension.
http://www.hannabach.com/en/strings/2500-aoud
|
|
|
jdowning
Oud Junkie
Posts: 3476
Registered: 8-2-2006
Location: Ontario, Canada
Member Is Offline
Mood: No Mood
|
|
In 1965 I had the good fortune to be posted to Cairo to assist in the commissioning of two steam turbine generators at the Cairo South power station
at Helwan. During my brief stay I took the opportunity to purchase an old oud from a prominent music store in the centre of Cairo. I also purchased a
spare set of strings for the oud. To my surprise the strings were gut trebles with wound basses (on silk filament?) - surprised because as a classical
guitar player gut strings that were commonly used prior to WW2 had been replaced by nylon trebles and wound basses on nylon filament during the
1950's.
Unfortunately I no longer have those strings for comparison but as I recall they were of French manufacture.
So if these strings were representative of the oud strings that were available at that time in Cairo then it is likely that gut strings were the type
used by Farid al Atrash and other masters?
By the time my interests had moved from guitar to lute in the early 1970's, replica lutes were then being strung in nylon - Pyramid being a popular
brand. Of course now things have gone full cycle with the availability of good quality (and good sounding) gut strings for lute (at a price!). I
wonder when did oudists generally make the switch to nylon stringing? For classical guitarists in the West (like Segovia and Bream) it was during the
1950's? Or did many oud players - even today - prefer the tonalities of gut over nylon so did not make the change?
As a lute player I only use gut for frets (superior to nylon that causes excessive string wear) and prefer Pyramid brand nylon (when I am not using
experimental strings that I have made from silk or synthetic filaments)
|
|
|
Brian Prunka
Oud Junkie
Posts: 2658
Registered: 1-30-2004
Location: Brooklyn, NY
Member Is Offline
Mood: Stringish
|
|
I wouldn't expect them to perform well on a shorter instrument, especially if they were tuned down.
|
|
|
saad
Oud Lover
Posts: 10
Registered: 6-3-2015
Member Is Offline
Mood: outoftune
|
|
Brian, thank you for your reply and input.
|
|
|
![[*]](images/xmbprobrown/default_icon.gif){kind=icon}
