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Author: Subject: 1966 Mahmoud Haddad
Dr. Oud
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[*] posted on 1-24-2007 at 08:33 AM
1966 Mahmoud Haddad


I acquired this oud from Al Gardener's estate through Jameel, It has the appearance of being played a lot, repaired a few times, but with skill. Check the MOP & red abalone fingerboard, Zowee!



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[*] posted on 1-24-2007 at 08:37 AM


Here's the back, this design is identical to an oud I got from Fadil Shaheen in SF in 1975.
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[*] posted on 1-24-2007 at 08:38 AM


the neck and pegbox were delaminated
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[*] posted on 1-24-2007 at 08:40 AM


as was the shamsiya
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[*] posted on 1-24-2007 at 08:42 AM


the face had several open cracks and seams - this was the worst, the face is delamininated from the brace a little bit.
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[*] posted on 1-24-2007 at 08:43 AM


the back also has some cracks,
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[*] posted on 1-24-2007 at 08:45 AM


and some of the inlay is missing
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[*] posted on 1-24-2007 at 08:46 AM


the face crack was glued together and blocked to hold it down on the brace
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[*] posted on 1-24-2007 at 08:48 AM


the inside of the crack is reinforced with parchment paper (between the braces) infused with hide glue
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[*] posted on 1-24-2007 at 08:50 AM


The back crack was re-glued, and a block is used to align the edges. These rubber bands are made with strips cut from a bicycle inner tube, tied together to make a band just the right size for the pressure needed. Not too much, just enough. The tape on the face is holding down another crack and delaminated edge tile section.
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[*] posted on 1-24-2007 at 08:50 AM


Richard - what are those transverse strips on the belly - between the fingerboard and rose? They look a bit like wooden frets but are on the 'wrong side' (except for a left handed player) and inverted (longer at the rose than at the fingerboard).
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[*] posted on 1-24-2007 at 08:53 AM


The marks are pencil lines. I removed some with a soft eraser, and will try progressively more aggresive erasers to remove the rest. I have no idea what they are for, they are evenly spaced and I doubt they were for finger positions. The face shows wear consistant with a right hand player. Here's the label
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[*] posted on 1-24-2007 at 11:47 AM


Made by Mahmud al 7addad
Damas: Yarmouk camp
15 june 1966 ???

Can somebody correct pls??

A marvellous palestinian oud made in a Syrian refugee camp extensively played by armenian artist in USA being now repaired by oud experts american hands...that's how the world should work all time....

Dr Oud I enjoy a lot yr posts.




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[*] posted on 1-25-2007 at 11:51 PM


Well at least this oud has fallen into good hands....looking forward to the end result.. BTW it would be interesting to see how the right hand wear on the high register above the raqma is going to be treated.
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[*] posted on 1-26-2007 at 07:35 AM


Agreed Zalzal, except the fact that man was forced to live in a refugee camp.

Lets keep praying and playing :wavey:
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[*] posted on 1-26-2007 at 09:19 AM


Quote:
Originally posted by Melbourne
Well at least this oud has fallen into good hands....looking forward to the end result.. BTW it would be interesting to see how the right hand wear on the high register above the raqma is going to be treated.

I plan on sealing the surface in the worn area, that's it. Any filler would affect the sound and I'm certainly not going to sand it down. Even if a hole is worn through the face I wouldn't try to repair it as the oud will sound best if the face is as original as possible. I've seen many instruments with holes worn through the face and they still sounded fine.
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[*] posted on 1-26-2007 at 10:16 AM


Yes Palestine48, am with you, we cannot complete all our thoughts when writing posts here in approximate poor engligh, but it was totally my thought as well.

Not like others who express exactly the marvellous things they are capable to accomplish with just some precise explanations in perfect and technical english like Dr Oud here (you ca not imagine the efforts i do to understand here, as i even do not know these technical words in french.) but passion is passion.

Looking forward to follow this mirage.




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[*] posted on 1-26-2007 at 02:41 PM


Gorgeous oud. Happy that Richard is working on it. Indeed the world would be wonderful if everything worked like this (except th e refugee camps of course). The way the address is given takes me back to my youth. It says "...next to the Carmel movie theatre"
that's how shops used to identify themselves e.g. "behind the train station", etc. By the way I think the date is August 1, 1966

Spyros C.
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[*] posted on 1-26-2007 at 04:25 PM


Very interesting, I was in Damas in 1996, staying at the Shahara hotel and taking the tour bus into Damascus twice a day. It was a great adventure although I didn't find any good ouds for sale. I was on a family trip and spent most of the time shopping or at mosques (Roghieh (sp?)was my fav). Damas is just outside Damascus, right? I did get to accompany Howeida at the hotel. Zowee!
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[*] posted on 1-27-2007 at 01:34 PM


ok, back to the Haddad...Crackes in the back (several) are pushed open, glue rubbed in and taped together...
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[*] posted on 1-27-2007 at 01:36 PM


... and reinforced inside with parchment paprer infused with hide glue
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[*] posted on 1-27-2007 at 01:37 PM


The bracelet was removed with the loose neck. It's kinda ornate so I'll put it back on after the neck is re-mounted.
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[*] posted on 1-29-2007 at 08:31 AM


Because of the damage and weakness of the thin veneer, I decided to replace the backplate with a thicker piece of walnut. I used my heat gun to bend it
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[*] posted on 1-29-2007 at 08:33 AM


I cut a caul to match the curve of the pegbox and padded it with some scrap leather



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[*] posted on 1-29-2007 at 08:34 AM


then clamped it together with some tapered shims shoved in the end where theclamp didn't reach.
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