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Author: Subject: Sunbati Ashwak analysis
Hosam
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[*] posted on 2-17-2007 at 03:18 PM
Sunbati Ashwak analysis


Can anybody give analysis to Riayd Sanunbati Ashwak takseem? This is pretty amazing, what is the sequence of makamat he is using?

You can find the clip here http://www.mikeouds.com/music.html

Thanks.
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zalzal
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[*] posted on 2-24-2007 at 11:14 AM


Yes Hosam i am also amazed by the richness of this sequence of maqams.

In a previous post Oudman did the analysis

http://www.mikeouds.com/messageboard/viewthread.php?tid=3448#pid227...

I copie here all the fantastic oudman post

========================
I agree with Jameel as well, Sunbatis nahwand taqasim before ashwaq is one of my personal favorites as well. Sunbati didnt have awesome technique (like Farid for example) but he had so much music in him. He was able to show many colors in the same maqam and his modulations were innovative and brilliant. Sunbati is probably my favorite arabic oud player (and composer). Saliba al Qatrib was a brilliant oud player and singer as well.
I didnt like Omar as much because he is not a clean player (he plays plenty of notes off) which I think really disrupts the flow of the taqasim.
Ill try to break down the taqasim for you Jameel
Nahawand A
1:18 Bayati E
1:58 hinting Rast A
2:21 return to nahawand A
2:34 bayati E
2:40 saba E
3:21 back to bayati E
3:29 back to nahawand A
3:38 Bb accidental (hint to lami)
4:07 (can be ajam on C) then back to nahawand A high register
5:07 hijaz E
5:18 nawa athar A
5:45 nahawand murassa A
6:00 rast A
7:00 hijazkar E, nawa athar A
7:37 kurd A
8:08 closes nahawand A
8:10 back to kurd A
9:04 bayati E (emphasises the rast A tetrichord below a few times)
9:55 return to nahawand A (Bb accidental 10:10)
I did this without an oud so I hope i didnt make any mistakes
======================================




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Hosam
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[*] posted on 2-24-2007 at 06:03 PM


Thank you Zalzal, sorry for the double post!
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