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Author: Subject: barbat (iranian oud)
barbat
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[*] posted on 11-29-2007 at 02:41 AM
barbat (iranian oud)


hello my friends
this is my weblog about barbat
http://www.barbat-oud.blogfa.com
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gilgamesh
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[*] posted on 11-29-2007 at 03:22 AM


Hello Barbat! Thank you for this nice link.
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barbat
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[*] posted on 11-29-2007 at 08:47 AM


link of the nazempour official website
http://www.oudmajid.com


http://www.barbat-oud.blogfa.com
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Peyman
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[*] posted on 11-29-2007 at 09:15 AM


I like the pictures of the Omman convention. Thanks for sharing!
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michoud
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[*] posted on 11-29-2007 at 10:07 AM


Hi barbat!!
Few days ago I wrote a post looking for help for buying a barbat.
Can you help me???
I like a lot the style of behrozinia´s barbat
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barbat
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[*] posted on 11-29-2007 at 04:24 PM


sound of barbat
majid nazempour played mahoor

http://a2.nowupload.com/v/l5b/d/






http://www.barbat-oud.blogfa.com
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michoud
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[*] posted on 11-29-2007 at 05:06 PM


Beautifull:bounce::bounce:
I would like to buy a barbat like this...
Can you help me??
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barbat
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[*] posted on 11-29-2007 at 06:01 PM


yes my friend michoud
this barbat made by mohammadi in Esfahan city








http://www.barbat-oud.blogfa.com
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barbat
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[*] posted on 11-29-2007 at 06:19 PM


ebrahim ghanbarimehr & hossein behroozinia


barbat made of animal skin

ebrahim ghanbarimehr


http://www.barbat-oud.blogfa.com
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Ararat66
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[*] posted on 11-30-2007 at 12:50 AM


Hi there my friend

What a beautiful instrument (the wooden topped Barbat in particular). What sort of price would this be - it is stunning.

Have a good day.

Best wishes

Leon
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gilgamesh
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[*] posted on 11-30-2007 at 01:02 AM


Those ouds are pearls of Iranian refinement I like, and when I take a look at your photograph my first idea is to wish if only I could have such big nice hands for a easy ballad on my fingerboard !:airguitar:
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barbat
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[*] posted on 11-30-2007 at 03:39 AM


HOSSEIN BEHROOZINIA http://www.behroozinia.com


Right click/ save target as ...
http://www.iranianoud.com/music/behroozinia1.mp3
http://www.iranianoud.com/music/behroozinia2.mp3


http://www.barbat-oud.blogfa.com
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Benjamin
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[*] posted on 11-30-2007 at 04:32 AM


Cool!
How do you usually tune the barbat-iranian oud? What are the main differences with arabic oud?
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billkilpatrick
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[*] posted on 11-30-2007 at 07:14 AM


beautiful instruments - complimenti. they appear to be smaller in circumference than arabic ouds but with a deeper bowl. lovely sound.



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barbat
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[*] posted on 11-30-2007 at 09:01 AM





http://www.barbat-oud.blogfa.com
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Peyman
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[*] posted on 11-30-2007 at 01:07 PM


The barbat has the same string length as the arbaic oud. The body is smaller. The dimensions are given in the barbat site (L: 44 or so cm, W: 30 cm, depth 20 cm).

Michoud, the Mohammadi brothers live in Esfahan. I used to have their phone number but I can't find it anymore. If I were you, I would definitely take a trip to their shop. The inlays you see on the barbat are a unique technique they call "mehr-kari", after Ghanbari-Mehr, the famous instrument maker. It combines metal and colored wood.

Gilgamesh, where do you find those nice minature paintings?
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gilgamesh
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[*] posted on 12-1-2007 at 03:26 AM


Hello Peyman!Probably in a oriental music site from a link of this forum... I was looking in vain for Iranian miniatures , particularly about the Shirin and Khosrow's Story, or about hunting because the horses details are wonderfull.
So I had surfed on many sites... but I don't remember which exactely. Someone of this forum may knows... Forgive me,If I remember I will tell you. bye
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Peyman
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[*] posted on 12-1-2007 at 07:22 AM


No problem. My favorite minatures are the ones that feature musical instruments (usually at a feast).
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Benjamin
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[*] posted on 12-1-2007 at 10:59 AM


Thanks guys for the informations very interesting indeed
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barbat
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[*] posted on 12-1-2007 at 03:48 PM


ABOUT BARBAT from Behroozinia's website

Historical artifacts, paintings, books, and poems by Iranian poets show that the Barbat (Oud) was common in ancient Persia and its greatest player was Barbad. Some historians believe that the word "Barbat" (Oud) was derived from the name Barbad. Others believe that the word Barbat relates to the chest of a duck. There is a strong similarity between a standing duck and the shape of this instrument. The Barbat is the basis of all music in Iran and most of its surrounding neighbors including Turkey, Iraq, Syria, Egypt, and etc. This instrument traveled to the Far East via the Silk-Road where it evolved into the PIPA in China and the BIWA in Japan. During the Holy Wars the Iranian musician Zaryab introduced the Barbat into Spain where its name was changed from AL OUD to LE OUD and then later to LUTE .

After the advent of Islam in Iran, the Barbat became the chief musical instrument of the Arab world. The size of its bowl was increased, its neck was shortened, a 6th string was added to serve the Arab needs better, and the name OUD (meaning wood in arabic) was given to it. Due to its great reception by the Arabs, many Iranian players such as Ebrahim Mooseli and his son Eshagh Mooseli moved to Iraq and other Arab countries to teach the technique of this instrument to the Arabs. Ebrahim was of Iranian descent and took the name "Mooseli" upon moving to the city of Moosel in modern day Iraq. The immigration of Iranian musicians to Arab countries caused a diminishment in the usance of the oud in Iran until during the Safavid Era, for unknown reasons, this instrument was completely abolished.

In 1996, after years of research, master builder Mr. Ebrahim Ghanbari-Mehr designed and built a BARBAT that resembles the original form of this instrument used in Iran before the Arab invasion. Unique characteristics of this instrument include:

Fingerboard length- 37cm; Neck length- 26cm; On-face finger board- 11cm; String length- 61.5cm; Bowl length- 44cm ;Bowl width- 30cm; Bowl depth- 20cm

The smaller bowl size allows for a more comfortable interaction between the player and the instrument. The unique design and lay out of the bridges that lie beneath the soundboard give this instrument a louder sound and far greater sustainability (echo) when compared to Arab and Turkish Ouds. Most importantly, the longer neck and the addition of the on-face fingerboard allow the player to reach notes in the higher octave and eliminate the need for a 6th course. A total of approximately 3 octaves is covered starting at G2=98Hz up to F5=696Hz which is more consistent with other instruments used in Iranian traditional music.

Since 1996, Behroozinia has been performing exclusively with this instrument in the hope of returning to this instrument its Iranian identity. His efforts have been virtuous and the Barbat is becoming more popular in Iran.




Hossein Behroozinia & Hamid Motebassem


http://www.behroozinia.com
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